I got up late this morning because I can. Jenni is out and about for a few hours so I've been importing Rickie Lee Jones albums into iTunes for a little
over two hours, scanning the images from the CD's (if they are better than the ones on Amazon) and listening as I go. Now most people might think I would like (or hate) 1979's
Rickie Lee Jones self titled album best because of "
Chuck E's in Love" (the entire album
is excellent) but for song writing genius and emotional content I will always favor 1981's
Pirates. There are two songs on
Pirates that make me very sad, and at times can make me weep openly (and you thought I used to get teased about Chuck E?). If you like female singer songwriters or the song
"Chuck E's in Love" but don't own any Rickie Lee Jones I would say the first purchase should be 1995's
Naked Songs (Live and Acoustic) this is
a greatest hits (first 6 albums) of sorts and is a phenomenal collection of song performances. A lot of Rickie's later work has been covers of various periods, styles and genrés of music, from Johnny Mercer, Sammy Cahn and George and Ira Gershwin to Walter Becker and Donald Fagen (Steely Dan), David Bowie, Marvin Gaye, Marty Balin (Jefferson Airplane), Jimi Hendrix, Lennon and McCartney and Steve Winwood and Jim Capaldi (Traffic). Two albums
Pop Pop (1991) and
It's Like This (2000) are all covers. These albums and a couple others will be added to the
Interests and recommendations music page as well. I will try to update this info every couple of months so the Leonard Zelig's among us can know what to watch, read or listen to, and to let others
know what I enjoy.
Other News: I promised a "Four Get It" update, and I always try to keep my promises. Last night we faced the Copies Plus team who were holding down the #8 position in league. We've managed to maintain last place for a couple of weeks now, no mean task I might add. Well as is befitting a last place team we were beaten by 54 points in game one, largely on the shoulders of the guy who shut his bowling hand index finger in a car door two days earlier (though the two first game Parrot Bay and Coke's did take the throb out by game 2) and carries a 154 average but only scored 136. Game two ended in heroic fashion as I the anchor bowler need 18 pins to tie or 19 to win the game, I spared the first two frames then got the necessary 9 to win by 1 point, finishing with 187. (What finger, what car door?) For the final game Ed and Mel both had their lowest pin counts of the evening and Jeff (Skippy) Barber fell 9 pins below his average, while I, bolstered by a good second game and a non-throbbing primary right digit promised a 200 game to finish. "Go ahead then," said Mel, so I did this,
X X X 7/ 7/ X X X X 9- for a 231 (opening in the 10th frame kept me from getting a clean game)! We still lost the game by 31 pins and series by 84 once again rigourously defending last place in League. After this mixed emotional outcome the only thing left to do was go to the Flux Gallery for the "Closing" of Nicci Herrin's show with Ed, Skippy and Pam Walker who game to the bowling alley to watch us lose the final game. There were three paintings there I wished I could buy to go with the one I bought last year at the first ever show at Flux (an artist collaboration show), but not being financially healed (I've shut my metaphorical billfold in the car door too many times) I had to pass, besides Jody Frick and Mike Lamm have first dibs on two of the three I wanted. I did get a great three second shot of Skippy's Corvair through Deanne's Fluxing window though!
Three Second Corvair: Chuck Pace ©2006
Chuck Pace ©2006 |